It was this notion she concluded on the Alpha and the Omega dynamic in reference to Jim Morrison’s “The Spy” (in combined veiled reference with “Back Door Man”, which had considerably more going on live) that Billy turned into a repartee of sorts, impersonating himself  in the context she’d revealed of the inspired songwriter collective with “The Spy, Tra La” (insisting a preference for participating in his art as seduction rather than the real thing, i.e., remaining the spy, or the spy who never came out of the water, in Coldplay’s reference, a song she’d gone on to present on her REVEAL thread).