Unlimited Love - Red Hot Chili Peppers

I've decided not to post publicly about this album, but I will touch on what's there in the brevity of its own substance. There's nothing anchoring this (literally one phrase, "black star", which is popular culture) so there's nothing I can say about it. Six potential songs out of seventeen is not the sort of ratio I rely on, and on the other hand, since it's anchored in the explicit I'd sooner be private. It's there surreptitiously though in ultracolour spades. Again this is in order of what I perceive to be relevance. This is too broad and too general to assert anything about; the only reason I find it referential is because of the substance of the past with RHCP before now. There's more to it than I thought when I sat down to annotate it, I have to admit. 

I've heard that RHCP held back a second's album's worth of material, and it turned out that it was the B-Sides to I'm With You that packed a wallop more than any other album apart from By the Way. Based on this interview, Anthony was spitting out the first thing that came into his head under the gun and couldn't change it. It shows. In this neck of the woods it's almost completely "off topic". 

Archived Palm Sunday 04/10/22


The Heavy Wing

Golden light
Streamin' from your eyes
Give me a piece of the real thing
And I live with you this life
Stripped and clean
A restless wolverine
An eloquent part of the whole dance
And I stray

Tell the whole world to slow down
We gotta get off and we gotta go 'round
Tell the whole world to roll down
The window is broken, forever unspoken
Only whenever

Death to rise
Subtraction of advice
The criminal ties of my rival
And I'll roll these dice
Cold supply
Scraping to get by
Blatantly flooding the low rise
And I'll throw this knife

Trace me now through your innocence
Tell me it's part of the program I started
Space me now through your citizens
Tell me it's part of the whole plan now
Bringing my slow hand 

[Chorus]
Oh, I know that it's only gold
And I come slow now for everything
The heavy wing
Oh, I know that it's only gold
And I bleed into your pleasantries
The memory
The chemistry



Let 'Em Cry

Up, up the lover, we got the mother
Touch up the neighbor, she don't mind
Up, up the fauna, we got Nirvana
All I know is I feel fine
Up, up anothеr, we got the cover
Touch up thе Raiders, they don't mind
Up, up the fauna, we got Madonna
All I know is I feel fine

Shine, shine, let 'em shine
Hit me with that lion's prize
Ten thousand heavens are
About to shed their glory
Shine, shine, let 'em shine
Hit me with that Guggenheim
I'ma tell you everything
And how to build a story

Trust in love, my man
You can feel it raining down
So early when it's forming
Slide, slide, let it slide
My street is preoccupied
I'd like to kiss her face
If I could only find her 


The Great Apes

She's a box car rollin' by
Like a black star in the sky
She's a failure once or twice
Like a trailer spinnin' out upon dizzy ice

Flowers fly when we grow old
Snakes get high, or so I'm told
She's an eagle out on the road
Like my favorite Beatle everyone bought and sold

[Chorus]
All of my love and half my kisses
Superstar don't do the dishes
I just want the great apes to be free
Come on now, you lazy cowboy
Heads or tails, but not right now, boy
I just want the great apes to be free

She's a rain bird on the prowl
Like an urge to be yourself that you won't allow
She's a forest that we burned
Just a blueprint for a life that we had never learned


Unlimited Love

Outside the world within ya
Bend to the Woolf Virginia
Take to the bridge that's under

Hunt for the sun to wonder
Whatcha wanna do today?
I'm your favorite kid, let's play
Dedicated to the ones we serve
She's so full of learning curves
I, oh, I

Shе's a lover
She's a lover
Shе's a lover
She's a lover

Love me, love me
Wake up and hug me
I will be a torrid beast
Well, if you need me, need me
Wake up and squeeze me
Nothin' but a sweet relief
I, oh, I

And when I'm fallin' asleep
Please give me somethin' to keep
Me warm and kind of complete
Long time to go without ya
Try slow to know about ya
For now is my better
Less time in forever
Please, love, can I have a taste?
I just wanna lick your face
Any other day and I would say
You're Atlantis manta ray

She's a lover
She's a lover
She's a lover
She's a lover

She's a lover, unlimited love again
Gotta love her, unlimited love again
She's a lover, unlimited love again
Little lover, unlimited love again 


Veronica

My name is "I love you"
I come from the same place as everyone
Just lucky to be here
We love you the same way, and
This heart is relentless
I love you the most when you're down and out
Please come to my senses
'Cause we all play the same game

Danger, danger
Everyone goes for a ride (Here we go, my friends)
Danger (Everyone), danger (Everyone)
Everyone loses their mind


Been a long time now
Been a long time now
Been a long time since I took you, my toll
Been a long time now
Been a long time now
Been a long time since I took you, my soul
I don't want it to be broken up
I don't want it to be without love

This is the end
My passionate friend

My passionate friend
I send my love from, now
This is the end
My passionate friend
My passionate friend
Ayy, yeah, yeah, yeah
(I don't want it to be broken up)
Been a long time now
Been a long time now
Been a long time since I took you, my soul
(I don't want it to be without love)
Been a long time now
Been a long time now
Been a long time now
Been a long time, yeah, yeah, yeah

Not the One

I'm not the person that you thought I was
I'm not the one you thought you knew
I'd do most anything to make you think that I'm the one
I'd do it all to get to you


You see me as the perfect compliment
You think that I'm someone to choose
You see me in a way that makes me want to reinvent
A person I could turn into

[Chorus]
Give me the love and I'll tell you when I wanna come
Give me the love and I'll tell you when I wanna run
Blue strides are callin' and I can't stop fallin'
Give me the lovе and I'll tell you when I wanna run

I don't look like mysеlf in photographs
Long days of time have been unkind
I miss the you, the one that makes me want to redefine
I'm not the one you fell into
I'm not the one, the one for you


The theme of gold as substantial nature (which is a Revelations allusion to the advent of the Holy City with its streets paved with gold, and is the central theme of this song) already appeared with Johnny Marr's "Spirit, Power and Soul" - "It's just a vision I'm in, when we all turn to gold". 


 

 

  

The broken mirror/window theme again. (See "Ariel" by Johnny Marr.)

 

 

 

 

 

Sounds like tracing back the iteration through the book, with the collective consciousness spread out among many artists ("citizens"), Anthony getting to see it and the band's part in it.

 

 

 

 

 

 

Just about making it back to Eden basically, or getting to heaven, which is in accord (with the assertion it's the Rapture, which is supported by the implication in the title, meaning not everyone is lifted up and "let 'em cry"), and having it come about due to a rebalancing of male/female with the female emphasis, and yes that shift into "mother" happened in the narrative in terms of the birth of consciousness. 


 

 

I did predict "lion" would be a theme/arch-typical aspect of the male side, but when there's so many terms being bandied about it becomes meaningless in terms of randomness, spaghetti hitting a wall. (See "People of the Pride", Coldplay)


 

 

 

Nobody ever got to find out about me because both Bono and WPC maintained it as a secret when they found out.

 

 


"Box car" - communication started with a train scandal

"black star" - The Prologue, which is mainly what Martin's background portion of his letter was about. 


 

 

  


Guess who's the only one who does the dishes around here?

"I just want the great apes to be free" is the fundamental declaration of the iBook's premise, in the sense that the declared goal is not being reduced in terms of belief in evolution's assertion this is all that humanity amounts to. Delineating a transcendent consciousness in the creative consciousness of humanity irrevocably demonstrates that this is not the case. 

"She's a forest that we burned" - In terms of the slash burns that happened to the Walbran, it's destruction I got to absorb/internalize as an eye-witness, pretty literal, pointing to the creative life force in all life/Nature. 


When I predicted "This is going to be really f***ing personal", this song is what I meant. Granted, I had a title list to predict off of, which is not predicting at all. However, I knew where it would go already because of where Anthony was at post 2020. 

"outside the world within ya" - All of this occurred through the perception of a single observer in her mind's eye. Stepping out of that has to do with acting outside, at essence externalizing via communication what was solely on th inside before. Which is what's happening at present. 

"hunt for the sun to wonder" - predicted that the "sun" would be a personification symbol for the "male side". Putting this on exhibit is actively searching for the declaration of that aspect. Having it happen is the true nature of wonder. (See "Human" by Johnny Marr and "Old Time" and "Carnage" by Nick Cave on CARNAGE.)

"dedicated to the ones we serve" - "Four Essential Spiritual Practices" closes out the narrative, thanks to WPC, on October 2nd. 4) Cultivate an awareness of the beauty of serving.

Change happens with learning curves. 


"She's a lover" - the narrative, no kidding. 

 

'long time to go without ya" - the bereavement caused by the breakdown in 2009, 2013. But if I'm viewing this along the timeline of Anthony's songwriting, it's in reference to the twenty year break between when I first rationalized what was happening as being personally related to by transcendent inspiration and allowing that one night in my mind November 2000 (part of Martin's backgrounder), to being resurrected to that threshold once more twenty years later, a threshold where enough had transpired/been eliminated through exploration that I felt I could actually trust it.





"unlimited love" -what we've arrived at

 

 

It's that the song deliberately shifts into the concept of universal love. 








 

"Been a long time since I took you, my soul" - What happened with the Transcendent Consciousness summer 2020. "I don't want it to be without love" - was the existential ultimatum of being devastated on the kitchen floor against the wall and stating, "I want to disappear". There was no point to existence absent love. "Heaven is so cold, I don't wanna go, Father in heaven's sleepy, somebody delete me" - "Rabbit Hole"  

"This is the end my passionate friend" - With Anthony's personal bowing out song, "Not the One" (in a manner of speaking), this is the conclusion to an inspirational patterning that has lasted around 25 years (since One Hot Minute), sending love in the present at the pinnacle we've created universally, the end. 





 


He's not, but he gets inside of it like he is.

Israel is a deal breaker for me, and above and beyond RHCP having a misguided nationalized devotion to Hillel Slovak, this level of delusional utter psychosis is married to their manager. Were I to step into the room with it, the room would probably explode because I know just how far the inverted insanity goes, as in really far. It is assimilating your enemy by becoming it.